Too much has been happening in this composer's life. For one thing I've been taking time for myself, which is keeping me sane. Literally. For a while after Christmas I thought I was being pulled in all different directions- I had said "yes" to a lot of projects that I should have said "not right now" to, and it totally took a toll on my body! Luckily I am coming back to reality once again, and the creative juices are beginning to flow once more.
In the news, I've had a few new works performed or documented lately.
Two clips of "Tame Your Man' are up on YouTube, but you can watch them here! Each clip is about three movements' worth, enough to give you a general sense of the piece.
I had the premiere of my first electro-acoustic work on the Pendulum New Music Series concert this past week. All I had to do was push "play" but that went well. It's a work that creates an atmosphere like slowly drifting icebergs in a glacial lagoon. I learned a lot about the program Abelton Live to create the piece, and I hope to work more with that in the future- it's good for both audio effects, and should I want to become a sweet beat-droppin' DJ I could cue up jams and add beats and samples in Abelton as well.
Upcoming on March 20 is yet another premiere of a work, this time for a duo of a guitar and a nykelharpa. You might be wondering what that instrument is, and in short it's a Swedish stringed instrument that sounds like a fiddle, but it works more like a hurdy-gurdy. You can read up a little on the nykelharpa here.
In non-music-related news, my boyfriend has said two more things in his sleep: "2 4 8", and "snowin' so far". I had a dream the other night that I was being held against my will, but I got released through a cunning game of music trivia, and my winning question to my weird captives was that I could sing a melody from Verdi's opera La Traviata and they couldn't guess what opera it came from. In real life, I don't know if I could even think of a melody from La Traviata, let alone but thank goodness my subconscious self knows the way out.