The CATWALK Residency is over and I'm back in Denver, safe and sound
(and due to some ticketing issues on the flight home, with my very first
ever first-class flight along the way)!
I certainly
learned a lot about residencies in this first experience, though truth
be told, all residencies are not created equal. This residency only has
two artists stay at a time, and each has their own housing. Pretty
luxurious.
I
made a few short works there, and am happy with a couple of them, but
for the most part, the residency became a chance to experiment with some
new ideas, try them out, and sometimes fail. Though that can be a good
thing too!
I ended up working on about four projects. In summary, here was my progress.
1.
A solo organ video! The harmonium from the shed was hauled out to the
woods for videotaping. Little did I know how heavy it would be. I wrote a
very minimalist piece for it, planned on videotaping it around sunset-
where the halfway point of the video would be that evening's sunset
time. I wanted the performance to be about an hour, but I only played
for about a half hour. I then took the video and the recording and sped
them up, so hopefully we could see the light fade in the woods. Problems
with this performance (aside from the fact that the organ was nearly
broken) included all the bugs in the woods biting me, and the fact that
the light in the woods changed so subtly that you can hardly see the
difference from the beginning to the end of the video. This project was
about 70% successful, I'd say, but gives me lots of hope for future
similar projects involving time and light outdoors.
2.
Bell trees! I crocheted long strands of yarn that were attached to
bells, and then wired them up in 20-foot-tall tree branches so you could
ring them from the ground. This was probably the most simple idea but
the most successful project. I was worried that the bells might rust as
it was very rainy; I had to wait for the groundskeeper to help me with
the ladders after a weekend away. Thankfully the bells stayed pretty
dry, were sheltered under a lot of leaves. With the help of the other
visiting artist, a painter named Alexis Neider, we made a little video
of the bells in action too. The background noise of the camera is a
little distracting but overall success I'd grade myself at 85%.
3.
Outdoors 1. A song, with words from the 19th-century philosopher John
Ruskin, mixed with texts from the original builder of the residency's
structure, the Hudson River School painter Charles Herbert Moore. The
song is pretty cool, it's like an electronic dance jam with cicadas
buzzing and sampled choir sounds from the residency's old Kurzweil
keyboard. I came up with a performance piece for this song and we
videotaped it. Again, there were some problems. My lipsynching abilities
apparently suck. It was very hot, and very windy, so I'm super sweaty
in the video and things are blowing off of the table we're trying to
videotape. Not very convenient. I am also not a video editor and have no
intentions of training, I'd rather hand the project to a professional.
Still, there are some good ideas in the video. About 2 minutes of it are
pretty snazzy. The rest I'm still a bit embarassed to show people.
Performance success: 90%, video success, 70%. Enjoyment of the Upstate
New York heat and humidity while carrying a heavy table 500 yards: 0%.
4.
Outdoors 2: This piece was/is a companion piece to Outdoors 1. Outdoors
1 is like the 'daytime' piece and this is the 'nighttime'.
Unfortunately I didn't have time to finish it. Perhaps later this summer
I will revisit. It has some great sounds of machinery around the
residency, chainsaws, thunderstorms, and windchimes at the local
Wal-Mart, so I do think it has the most geographical 'flavor' of that
area.
I
went on a lot of art-seeing trips on the residency, which was great,
something I rarely get to treat myself to even though I love galleries
and museums. I went to New York City for a day, and to Mass MoCA for
another. I talked a lot about my work with people, which was also good.
The time to relax and enjoy some new scenery was also really beneficial.
I met a woman who talks to angels. I met a Columbia poetry professor
who lives in a seventeenth-century Dutch farmhouse. 17th century! I also
met up with friends who I haven't seen in years, got to see my parents
for a few great days, and experienced the kindnesses of local residents
curious to meet someone new in the area.
All in
all, it was a time I'd surely repeat. It was a time that helped me think
about music, time, nature, and using the resources around me in new and
interesting ways.
3 comments:
Sounds overall like it was a great experience. I'm intrigued by the architectural sculptures in that last photo - where did you take it? Who made them?
That's two sculptures at Mass MoCA for the 'Invisible Cities' exhibit, organized around Italo Calvino's book! The piece in the foreground is by Diana al-Hadid. I forget the artist who made the piece in the background (I do know it is by one of these people in the show: Carlos Garaicoa, Sopheap Pich, Emeka Ogboha, Francesco Simeti, Miha Strukelj, or Kim Faler), but it is all made of woven and wired wicker basket structures!
That sounds amazing. I love that book, and I bet art inspired by it is equally transcendent and wonderful.
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