I knew right away the film would be enjoyable because of the use of nicely kerned Gil Sans! At least I'm hedging my bets that that is good old Gil Sans, known also from my old museum Mattress Factory. In light weight and medium, I believe. Lovely! It was an excellent typographic choice to fit the film, so kudos designer Sam Ashby. A great complement as well to the candid-style shots for posters by Quinnford & Scout, who seem to be counted among the gay bearded young men that I do enjoy so much. A personal message to the guys in this whole design and artistic realm: let me know if there's ever any music you need for anything, I think we could work well together...our beard powers combined.
Side note: this poster for the film Fay Grim is probably my second favorite contemporary movie poster ever, which lovingly uses the typeface DIN and it soon started my DIN obsession.
